Non vorrei passare il resto della mia vita in riva a un fiume, a pescare qualcosa che non c’è più». Az 1950-es évek közepétől filmez. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. David Sin wrote "The intervening years appear not to have diminished its impact as an innovative work of cinema, nor as a wider critique of the age in which we live. But then maybe they shouldn't fall in love at all." Monica Vitti Recitò in molti altri film, lavorò con un ritmo impressionante, quasi un film all’anno. "Modern love is rubbish: Antonioni's L'eclisse", "L'Eclisse review – Antonioni's strange and brilliant film rereleased", https://en.wikipedia.org/w/index.php?title=L%27Eclisse&oldid=1003746106, Films produced by Robert and Raymond Hakim, Articles containing explicitly cited English-language text, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 30 January 2021, at 13:39. [6], It is today considered one of Antonioni's more important works. As already noted in Chapter 3, Antonioni had first met an actress whose native tongue is Italian, Monica Vitti, when he hired Vitti to dub Dorian Gray’s dialogue in Il Grido [1957]. [2] The film is considered the last part of a trilogy, and is preceded by L'Avventura (1960) and La Notte (1961).[3][4][5]. She says that's how she feels around him. Goffredo Lombardo); Le Trou (prod. Barbara is a reporter who is collecting sound bites at a political rally, but gets attacked by right-wing activists who wreck her car and ruin her gear. Do NOT click any of the links in the Arabic posts as they will take you directly to scammer sites that could possibly damage your computer. Michelangelo Antonioni … (adsbygoogle = window.adsbygoogle || []).push({}); من افضل واقوى الشركات التي تقدم خدمات مكافحة حشرات المنزل البق والصراصير والنمل والعته تلك التي تستخدم مبيدات آمنة وفعالة ومضمونة مثل افضل شركة مكافحة الصراصير بجدة التي تتعامل في مكافحة الحشرات وتستخدم مبيدات آمنة ومضمونة. The conversation turns sour as Marta, a colonialist, worries about "monkeys" arming themselves and threatening the minority whites. Monica Vitti was born on November 3, 1931 in Rome, Lazio, Italy as Maria Luisa Ceciarelli. While they are talking, the drunk steals Piero's sportscar. They agree to meet that evening at 8 pm at the "usual place" near her apartment. parodia dei fratelli De Rege, sul tema del Festival di Sanremo 1970, da poco concluso. The H.W. –) olasz színésznő. "[15] In the 2012 Sight & Sound polls conducted by the British Film Institute, L'Eclisse was voted in both the critics' and directors' polls as one of the 100 greatest films of all time. All At One Place. Vittoria and Anita dismiss such talk. Upon her graduation, she immediately launched her professional stage career; in 1954, she made her first film, Ettore Scola 's Ridere Ridere Ridere. Sealed. L'Eclisse (English: "The Eclipse") is a 1962 Italian drama film written and directed by Michelangelo Antonioni and starring Alain Delon and Monica Vitti.Filmed on location in Rome and Verona, the story follows a young woman (Vitti) who pursues an affair with a confident young stockbroker (Delon). 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Ingmar Bergman and Allan Ekelund); Rocco e i suoi fratelli (Rocco and His Brothers) (prod. For many years she does not appear in public, apparently due to a degenerative disease. She asks to go to his place. The 1970s were a party, full of exploration without explanation. cretino!' She was in the TV movie Il borghese gentiluomo (1959). Monica Vitti is a member of the following lists: 1931 births, Italian Jews and Italian actors. The 1970s were colorful and innovative. Filmed on location in Rome and Verona,[1] the story follows a young woman (Vitti) who pursues an affair with a confident young stockbroker (Delon). On the way, Vittoria is fascinated by the clouds. L'Eclisse won the Special Jury Prize at the 1962 Cannes Film Festival and was nominated for the Palme d'Or. Vittoria is fascinated by the sound of the fencing in the wind. Riccardo tries to persuade her to stay, but she tells him she no longer loves him and leaves. When they reach her building, Vittoria unties a balloon from a carriage and calling to her new friend Marta tells her to shoot the balloon with her rifle (Marta previously having shot rhinoceros and elephants in Kenya), which she does as it ascends into the sky. Outside the building, Vittoria and her mother walk to an open market nearby. In quel periodo fu soprannominata scherzosamente dai familiari "setti vistìni", per via della sua freddolosità che la portava a indossare i vestiti l'uno sull'altro. This site uses cookies to improve the services offered and the browsing experience. "[17] Jon Lisi of PopMatters criticized the work as "strictly intellectual" in its returns to the viewer and wrote that viewing the film "isn’t exactly like watching paint dry, but the pace is so deliberately slow that it might as well be." Sometime later, Piero and Vittoria are lying on a hill looking up at the sky. His visually driven style and provocative approach to narrative raised the bar of what constituted popular filmmaking, and audiences at the time rose to the occasion to embrace it."[19]. She is an actress, known for L'Avventura (1960), Red Desert (1964) and L'Eclisse (1962). Monica Vitti delivers a remarkably modulated performance as Vittoria, her characterisation the singular embodiment of the “sickness of Eros”, the most recurring Antonioni theme. Born 1931 as Maria Luisa Ceciarelli in Rome, Italian actress Monica Vitti had her first film role in an uncredited bit in Edoardo Anton's Ridere Ridere Ridere (1954). When Marta's dog Zeus gets free of the house, the women take off after him. It's very good and quite fun so all you lesbians should check it out! "It's so nice here," she tells Anita. "[18] Conversely, Susan Doll wrote that if Antonioni's works are "out of vogue with movie goers captivated by postmodern irony and fast-paced editing, [...] we are the worse for it. As they walk away, Vittoria is surprised that Piero is concerned about the dents and the motor rather than the dead man. Another man lost 50 million. We want to celebrate the great actress, one of the icons of Italian cinema. See full bio » Piero comes to the bedroom and they make love. She meets Piero, and he drives her to her mother's apartment in his Alfa Romeo Giulietta sportscar. Claudia was in the 1975 movie Blonde in Black Leather/Qui comincia l'avventura with Monica Vitti which has a lesbian(ish) theme. L'Eclisse (English: "The Eclipse") is a 1962 Italian drama film written and directed by Michelangelo Antonioni and starring Alain Delon and Monica Vitti. As they talk, she seems nervous and unwilling to open up to him: "Two people shouldn't know each other too well if they want to fall in love. Monica Vitti has been in an on-screen matchup with Alain Delon in L'Eclisse (1962). Sometime later, Vittoria visits her mother (Lilla Brignone) at the frantic Rome Stock Exchange, which is very busy upon Vittoria's entrance. [7], On its theatrical run in Italy, L'Eclisse grossed a total of 305 million lire. Wilson Company. Eredeti neve: Maria Louisa Ceciarelli. Meanwhile, back at the Rome Stock Exchange, Piero is busy making trades. After work outside his office, Piero meets with a call girl he previously arranged to meet, but is disappointed that she recently changed her hair color from blonde to brunette. World Film Directors, Volume 1. Sette sottane, traduzione del nomignolo infantile, diventò poi il titolo del suo primo libro autobiografico, edito nel 1993, seguito da Il letto è una rosa (1995). Marta, unamused, asks her to stop. [6] Described by Martin Scorsese as the boldest film in the trilogy, it is one of the director's more acclaimed works. When she finally reaches him, she does not speak and he, thinking it's a prank call, yells into the phone and slams down the receiver. She shows him framed family pictures and her room growing up. Her first widely noted performance was at the age of 26, in Mario Amendola's Le dritte (1958). She has been married to Roberto Russo since 1995. For a game, Vittoria dresses up as an African dancer with dark makeup, and dances around the apartment. Monica Vitti, vero nome Maria Luisa Ceciarelli, figlia di padre romano e madre bolognese, nasce a Roma il 3 novembre... 1931. Monica Vitti (Róma, 1931. november 3. She says "I wish I didn't love you or that I loved you much more." She has been married to Roberto Russo since 1995. Deciding not to go with her, Piero drives to Vittoria's apartment and stands outside her window. After playing a lead role in 'Three Strangers in Rome' (1958), she had roles in the films 'Vento del sud' (1959), 'Il magistrato' (1959), 'Un maledetto imbroglio' (1959), 'Upstairs and Downstairs' (1959). As she walks the deserted early-morning streets past the EUR water tower, Riccardo catches up and walks with her through a wooded area to her apartment building, where they say their final goodbyes. He gets upset when he doesn't understand what she's feeling. The high priestess of frosty sensuality, Italian actress Monica Vitti was trained at Rome's National Academy of Dramatic Arts. (1954). Expanded CD debut of Giorgio Gaslini jazz score written for Miklós Jancsó’s politically charged film La pacifista (1970), starring Monica Vitti. Sometime later at his office, Vittoria and Piero kiss and embrace playfully on the couch, even wrestling on the floor like children. Vittoria watches as they pull the car with the body from the water. When they reach her building, he kisses her, but she seems uneasy. The next morning, Piero and Vittoria arrive at the crash site where the drunk drove the car into a lake. Biography of Monica Vitti (excerpt) Monica Vitti (born Maria Luisa Ceciarelli, 3 November 1931) is an Italian actress noted for her frosty expressiveness and starring roles in films by Michelangelo Antonioni. [10], While Antonioni's earlier film L'Avventura had been derided upon its 1960 premiere, it was quickly reevaluated to the extent that L'Eclisse became "the most eagerly awaited film of the 1962 Cannes Film Festival";[11] critics had begun to believe that Antonioni's approach "was perhaps one way forward for an artform that was in danger of endlessly repeating itself. That evening, Vittoria tries to call Piero, but his phone is busy. This is what it says, that the record is still held fast in shrink-wrap. Vittoria says she is depressed, disgusted, and confused. [9] "[13], The final sequence is especially praised, with Jonathan Rosenbaum[14] and others regarding it as one of the more effective scenes in Antonioni's oeuvre. They embrace and talk of seeing each other every day. Monica Vitti grows up and becomes an actress Born in Rome in 1931 and christened Maria Luisa Ceciarelli, she has an unhappy childhood, her attention-seeking belittled by her family, her relationship with her mother strained. Back in her apartment, Riccardo calls for her, but she hides and doesn't answer. Monica Vitti, Alberto Sordi, Vittorio Gassman, Gigi Proietti Johnny Dorelli , Raimondo Vianello, Walter Chiari e tanti altri artisti, che hanno segnato ... share Share No_Favorite Favorite rss RSS. Piero takes her to his parents' apartment, which is filled with beautiful works of art and sculpture. 1987. p. 65. After working with Antonioni, Vitti changed focus and began making comedies, working with director Mario Monicelli on … ABOUT. Amato Pennasilico); La Dolce Vita (prod. You have all been notified. Piero arrives and tells her he bought a new BMW to replace his Alfa Romeo. Non fu la “spalla” femminile di qualcuno, come successe ad altre sue colleghe. Marta talks about the farm she and her husband have in Kenya. The final sequence contains images that were presented earlier in the film: a nurse with a child, a horse-drawn buggy, a man walking by, trees rustling in the wind, water running from a barrel, people waiting for a bus, sprinklers going off, a blonde woman walking by, a piece of wood floating in a water barrel, and people coming home from work. Stelvio Cipriani : Quelli Della Calibro 38/L'Ispettore Anticrimine (CD) He introduces himself to Vittoria; he is her mother's stock broker. Best Movies of Claudia Cardinale : Once Upon a Time in the West, Il gattopardo, Rocco e i suoi fratelli, Gebo et l'ombre, 8½, El artista y la modelo, Fitzcarraldo, Fury, and More with Aggragate Ratings, Trailers, Stream Links and other Details. Vittoria attempts to discuss her own recent breakup, but her mother is preoccupied with her earned profits. In 1877, pioneering Scottish photographer and geographer John Thompson made a visit to London. Director Martin Scorsese, in his documentary about Italian films titled My Voyage to Italy, describes how the film haunted and inspired him as a young moviegoer, noting it seemed to him a "step forward in storytelling" and "felt less like a story and more like a poem." After a drunk walks by and notices Vittoria at the window, Piero comes over. Following the announcement of a colleague's fatal heart attack and a moment of silence in memoriam, the room erupts back into frenzied activity. Help us build our profile of Monica Vitti! Film critic Robin Wood complained that this and all films made by Antonioni after L'Avventura were "self-indulgent," "defeatist" and a "retreat into a fundamentally complacent despair. He looks around and says "I feel like I'm in a foreign country." The final seven minutes of Eclipse suggested to us that the possibilities in cinema were absolutely limitless. They enjoy a playful walk through a park. Piero tries to kiss her, but she avoids his pass. Monica Vitti celebrates today 85 years. That evening, on Sunday 10 September 1961, neither shows up at the appointed meeting place. Another neighbor, Marta (Mirella Ricciardi), calls and invites them to her apartment nearby. Nata a Roma da padre romano e da madre bolognese , da bambina ha vissuto a Messina per circa otto anni a causa del lavoro del padre, un Ispettore del Commercio Estero . The sky grows dark, and the streetlights come on. His work reflected not only a major change in Italian society but also a profound shift in film culture. Able to compete in her artistic career with a multiplicity of genres really incredible. "[12] L'Eclisse won the Special Jury Prize at the festival and was nominated for the Palme d'Or (Golden Palm). They walk past a nurse wheeling a young girl in a baby carriage. "[12] Peter Bradshaw of The Guardian called the film "visionary" and argued, "Antonioni opens up a sinkhole of existential dismay in the Roman streets and asks us to drop down into it. As the only daughter, she feels she’s treated very differently from her brothers: “I had very strict parents. Giuseppe Amato and Angelo Rizzoli); Jungfrukällan (The Virgin Spring) (prod. What a strange and brilliant film it is.